Bridgette Ashton’s work depicts places and narratives, sometimes real and at other times invented. Her practice includes sculpture, print and participatory works often employing low fi materials to make time-consuming, elaborate outcomes. In recent projects she has engaged with redundant or overlooked sites, objects and archives, making scale-models, depictions and proposals.

For Inland she presents ‘Model for Hocking’s Cross Course Touring Visitor Experience’, referencing historic archive plans of Wheal Buller Mine.